AUBREY WHITFIELD
Music Producer / Songwriter / Mix Engineer


4 WEEK SYNC LICENSING COURSE
Learn everything about sync licensing from Production (library) music, writing and scoring bespoke music via Music Supervisors, working with Trailer Houses and writing for video games. From understanding the sync landscape, to crafting your music for maximum placements, this course will cover everything you need to know to launch or further your career in sync licensing.
INCLUDED:
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Live interactive classes each week, for 4 weeks
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Can't make a live class? Receive a recording of the class the next day and view in your own time, around your schedule
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A range of desktop guides and resources following each module to consolidate learning
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Direct, Whatsapp support from Aubrey throughout the duration of the course
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Receive a digital certificate at the end of the course from Echodrop Records confirming you have completed a course on Comprehensive Sync Licensing.

Next Course Start date: 27 JUNE 2026
Course Module Classes:
Week 1: An Introduction to Production Music
During this first module you'll get an in-depth overview of sync licensing. Then you'll learn about the exciting world of Production Music - including an analysis of how you can launch your Production Music careers, learning about writing to briefs, how much you could earn and how to get the work from the labels.
Week 4: Optimising your music for maximum placements
To be successful in sync you will need to tailor your writing, production and mixing skills for use in TV, film and video games. You'll explore optimised song structures, the importance of lyrical themes, writing to picture, creating mutiple track edits and ensuring you meet the high production standards required
Week 2: Writing/producing for movie trailers and video games
In this module you'll explore how you can get bespoke writing work for movie trailers and video games. We'll also look at the role of music supervisors, working with trailer houses, writing for video games and how to get those coveted bespoke commissions.
Week 3: Writing film scores, TV themes shows and for adverts
If you want to write the score for a blockbuster movie, or an indie film, or write the theme and music for TV shows, we'll explore all about it this module. We'll also look at the lucrative world of writing music for adverts
> Course Materials
Each student will also receive a range of desktop guides and guidance booklets after each module, designed to help you consolidate your learning on the course. This will include publisher directories, guidance on writing, producing and mixing and sample briefs to practice to.
Got a Question?
Send an email to aubrey@aubreywhitfield.com
Course Enrolment
Book yourself a place on this course ready for the course start date of Saturday 27 June.
Places are limited and come on a first come, first served basis
